{"id":226,"date":"2022-10-18T17:18:12","date_gmt":"2022-10-18T17:18:12","guid":{"rendered":"https:\/\/softpower.world\/?post_type=projekt&#038;p=226"},"modified":"2023-05-03T20:55:39","modified_gmt":"2023-05-03T20:55:39","slug":"soft-notes-voice-messages-for-the-collective-ear","status":"publish","type":"projekt","link":"https:\/\/softpower.world\/en\/projekt\/soft-notes-voice-messages-for-the-collective-ear\/","title":{"rendered":"Soft notes: Voice messages for the collective ear"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Broadcast on Colaboradio (88,4 MHz in Berlin and 90,7 MHz in Potsdam), <em>soft power<\/em> curated this edition of Air Berlin Alexanderplatz\u2019 <em>Air Salon<\/em>, as a multilogue of voice messages to discuss notions of collectivity: a self-reflection, a questionnaire, a conversation that is many-to-many, yet one-way. <em>soft power<\/em> lud daf\u00fcr andere Kollektive und kollektiv organisierte Gruppen ein, sich diesem &#8222;Gespr\u00e4ch&#8220; per Sprachnachricht anzuschlie\u00dfen: Alicia Reuter (Mitbegr\u00fcnderin und Co-Direktorin des Berlin Art Prize), Anissa Carrington (Mitbegr\u00fcnderin und Mitglied des DJ-Netzwerks SLIC Unit), Viviane Tabach &amp; Theseas Efstathopoulos (zwei sobat-sobat (Kunstvermittler*innen der documenta fifteen) und Herausgeber*innen der Publikation <em>Ever Been Friendzoned by an Institution?<\/em>) and Tra My Nguyen (co-founder and member of the design collective Studio ABO). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">By artificially (re)constructing a conversation that never really took place, this edition of the <em>Air Salon<\/em> referred to the contemporary phenomenon of sending voice messages back and forth instead of having a conversation \u2013 sometimes long monologues that don\u2019t expect an answer, sometimes exchanging multiple 3 second snippets instead of just giving the other a call. As a contemporary form, the voice message and its ever-growing popularity might hold some relevance for collective practices and how they often (dys)function: a lot of sending and receiving, conflating multiple channels, to eventually (and hopefully) end up having a conversation that matters, but never speaking with one voice. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ABA (Air Berlin Alexanderplatz) e.V., is a research-oriented artists' initiative founded in Berlin in 2009 by the artists Susanne Kriemann &amp; Aleksander Komarov. The programme focuses on ephemeral artistic research and collective and experimental knowledge production. ABA\u2019s operations consist of the conception, curation and implementation of various presentational formats: The organisation of salons in different locations across the city, the release of publications, the stewardship of a residency-program and the maintenance of a website as a central place for documentation and archiving of these forms of ephemeral knowledge production.<\/p>","protected":false},"excerpt":{"rendered":"<p>Broadcast on Colaboradio (88,4 MHz in Berlin and 90,7 MHz in Potsdam), <i>soft power<\/i> curated this edition of Air Berlin Alexanderplatz\u2019 <i>Air Salon<\/i>, as a multilogue of voice messages to discuss notions of collectivity: a self-reflection, a questionnaire, a conversation that is many-to-many, yet one-way. <i>soft power<\/i> lud daf\u00fcr andere Kollektive und kollektiv organisierte Gruppen ein, sich diesem &#8222;Gespr\u00e4ch&#8220; per Sprachnachricht anzuschlie\u00dfen: Alicia Reuter (Mitbegr\u00fcnderin und Co-Direktorin des Berlin Art Prize), Anissa Carrington (Mitbegr\u00fcnderin und Mitglied des DJ-Netzwerks SLIC Unit), Viviane Tabach &#038; Theseas Efstathopoulos (zwei sobat-sobat (Kunstvermittler*innen der documenta fifteen) und Herausgeber*innen der Publikation <i>Ever Been Friendzoned by an Institution?<\/i>) and Tra My Nguyen (co-founder and member of the design collective Studio ABO).<\/p>","protected":false},"featured_media":1492,"template":"","meta":{"_acf_changed":false,"footnotes":""},"pro_forder":[],"pro_mitwirkende":[165,167,166,149],"pro_kun":[168,94,95,96,97],"pro_tag":[],"pro_type":[93,63,18],"class_list":["post-226","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","pro_mitwirkende-berlin-art-prize","pro_mitwirkende-slic-unit","pro_mitwirkende-sobat-sobat","pro_mitwirkende-studio-abo","pro_kun-air-berlin-alexanderplatz","pro_kun-berlin-art-prize","pro_kun-slic-unit","pro_kun-sobat-sobat","pro_kun-studio-abo","pro_type-gesprach","pro_type-kollaboration","pro_type-radio"],"acf":{"pro_tag":false,"pro_tag_source":{"label":"Tag","type":"taxonomy","formatted_value":false},"pro_type":[18,63,93],"pro_type_source":{"label":"Filter","type":"taxonomy","formatted_value":[18,63,93]},"pro_date":"18.10.2022","pro_date_source":{"label":"Zeitraum","type":"text","formatted_value":"18.10.2022"},"pro_artist":[94,95,97,96,168],"pro_artist_source":{"label":"Namen","type":"taxonomy","formatted_value":[94,95,97,96,168]},"pro_with":[149,165,167,166],"pro_with_source":{"label":"Mit","type":"taxonomy","formatted_value":[149,165,167,166]},"pro_link_text":"<a href=\"https:\/\/airberlinalexanderplatz.de\/event\/zzPgtXjjCIRp18nuxck3\" target=\"_blank\" rel=\"noopener\">https:\/\/airberlinalexanderplatz.de\/event\/zzPgtXjjCIRp18nuxck3<\/a>","pro_link_text_source":{"label":"Verlinkungen","type":"wysiwyg","formatted_value":"<p><a href=\"https:\/\/airberlinalexanderplatz.de\/event\/zzPgtXjjCIRp18nuxck3\" target=\"_blank\" rel=\"noopener\">https:\/\/airberlinalexanderplatz.de\/event\/zzPgtXjjCIRp18nuxck3<\/a><\/p>\n"},"pro_curated_by":"","pro_curated_by_source":{"label":"Kuratiert von","type":"text","formatted_value":""},"pro_thanks":"Yiorgos Konstantoulakis","pro_thanks_source":{"label":"Mit Dank an","type":"text","formatted_value":"Yiorgos Konstantoulakis"},"pro_sponsor":"","pro_sponsor_source":{"label":"Gef\u00f6rdert 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Mit ihrer einzigartigen Sicht auf das Eindringen der Computertechnologien in unsere Gesellschaft seit den 80er Jahren, auf Emanzipation und Abh\u00e4ngigkeit, scheint sie ihrer Zeit nicht nur musikalisch voraus. Das Projekt <em>\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight <\/em>wurde mit einer Live-Performance von Platonos und anderen bei <em>soft power <\/em>er\u00f6ffnet, die in Kollaboration mit Plus X live auf Cashmere Radio \u00fcbertragen wurde. Die Ausstellung wurde von einer Soundinstallation untermalt, die aus einer Kollaboration zwischen Lena Platonos und dem in Berlin lebenden griechischen Musiker Yiorgos Konstantoulakis entstanden ist. 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Im Anschluss an das Filmscreening fand eine Listeningsession (Platonos und andere weibliche Electronica-Hits und Fundst\u00fccke) im Ausstellungsraum statt.<\/p>\n<!-- \/wp:paragraph -->","post_title":"\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight","post_excerpt":"Die griechische Komponistin Lena Platonos (*1951) gilt nicht nur als musikalische Pionierin, sondern zeichnet sich auch durch ihre poetischen und gesellschaftskritischen Texte aus, die von der Vergeblichkeit der Liebe, den Abgr\u00fcnden menschlicher Beziehungen und der vom Konsum gepr\u00e4gten Entfremdung erz\u00e4hlen. Die Ausstellung <i>\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight<\/i> wurde mit einer Live-Performance von Platonos und anderen bei <i>soft power<\/i> er\u00f6ffnet. 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