{"id":2232,"date":"2024-10-31T22:22:46","date_gmt":"2024-10-31T22:22:46","guid":{"rendered":"https:\/\/softpower.world\/?post_type=projekt&p=2232"},"modified":"2025-03-04T10:38:52","modified_gmt":"2025-03-04T10:38:52","slug":"on-animated-architecture","status":"publish","type":"projekt","link":"https:\/\/softpower.world\/en\/projekt\/on-animated-architecture\/","title":{"rendered":"on animated architecture"},"content":{"rendered":"

Saturdays, 14.00\u201319.00 and by appointment

Public tour through the area and exhibition with curator Guilherme Vilhena Martins:\nSunday, 1.12.2024, 14.00
Finissage and open discussion in the exhibition space: Sunday, 8.12.2024, 15.00<\/p>\n\n\n\n

<\/p>\n\n\n\n

Building on a series of collective conversations around the industrial district of Berlin-Tempelhof, on animated architecture<\/em> is a group show featuring works by the artists Dongchan Kim, Esteban P\u00e9rez, Jakob Francisco, Juliane T\u00fcbke, Maija Fox, and Nina Nowak.<\/p>\n\n\n\n

While Tempelhof was a thriving industrial district in the early 20th century, nowadays, its old industrial neighborhoods seem mostly composed of empty buildings and ruins \u2013 an eclectic mix of car workshops, junkyards wholesalers and food delivery services scarcely populate some of its areas that otherwise feel left behind from another time. The aim of the exhibition on animated architecture<\/em>and the group seminar that took place in the months leading up to it, is to point at the act of abandoning through a critical lens, highlighting the burden that outdated infrastructure represents within urban ecosystems, while stressing the tension between public and private space as well as the power dynamics at play in urban planning. Shaped by a series of discussions moderated by curator Guilherme Vilhena Martins, on animated architecture<\/em> seeks to point at notions such as \u2018waste\u2019, \u2018purification\u2019, \u2018extraction\u2019, and \u2018hegemony\u2019. The exhibition at soft power<\/em>\u2013 an art space itself located in a former and largely empty factory building in the old industrial district of Tempelhof \u2013 presents a group of works that range from sculpture to photography and video installation, staging a dissection of still life that sketches the possibility of critique based on different instances of emotional response, thus hinting at a sense of gesture and animation; a careful touch among the waste.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"Apparently, this whole area was a prosperous industrial district sometime at the beginning of the 20th century. It all seemed perfect back then \u2013 there was a big road running parallel to a canal connected to the network that stretches all over the continent, boats coming and going, trucks loading up and leaving. The future looked bright. There was a railway, plans for extension, and a port nearby. The building I am in, for instance, used to be a massive chocolate factory. We had to scrub the tiles as we first broke in. The smell never really left.<\/em><\/p>\n\n\n\n

It all seems so fragile now, almost absurd. And yet it is perfectly reasonable: power is spatial and that can be seen in how space is organised, what\u2019s left in and out, what is useful and what is not. I mean, just look at these long streets, these concrete meadows dotted by falling shutters and empty rooms, the huge crane passively floating in a chain of steel, almost like one of Zettel\u2019s huts, stuck in clouds that might just as well be an extension of the gray tarmac surrounding it. Who gets to decide who waits for what? Who gets to decide that it\u2019s time to leave, that all of a sudden it does not matter anymore?\"<\/em><\/p>\n\n\n\n

(Excerpt from the exhibition text by Guilherme Vilhena Martins)<\/p>","protected":false},"excerpt":{"rendered":"

Building on a series of collective conversations around the industrial district of Berlin-Tempelhof, the group exhibition on animated architecture<\/i> points at the act of abandoning through a critical lens, highlighting the burden that outdated infrastructure represents within urban ecosystems, while stressing the tension between public and private space as well as the power dynamics at play in urban planning. While Tempelhof was a thriving industrial district in the early 20th century, nowadays, its old industrial neighbourhoods seem mostly composed of empty buildings and ruins \u2013 an eclectic mix of car workshops, junkyards wholesalers and food delivery services scarcely populate some of its areas that otherwise feel left behind from another time. Shaped by a series of discussions moderated by curator Guilherme Vilhena Martins, on animated architecture<\/i> seeks to point at notions such as \u2018waste\u2019, \u2018purification\u2019, \u2018extraction\u2019, and \u2018hegemony\u2019 \u2013 staging a dissection of still life that sketches the possibility of critique based on different instances of emotional response, thus hinting at a sense of gesture and animation; a careful touch among the waste.<\/p>","protected":false},"featured_media":2401,"template":"","meta":{"_acf_changed":false,"footnotes":""},"pro_forder":[],"pro_mitwirkende":[385,386,387,388,389,390],"pro_kun":[378,379,384,380,381,382,383],"pro_tag":[],"pro_type":[62],"class_list":["post-2232","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","pro_mitwirkende-dongchan-kim","pro_mitwirkende-esteban-perez","pro_mitwirkende-jakob-francisco","pro_mitwirkende-juliane-tuebke","pro_mitwirkende-maija-fox","pro_mitwirkende-nina-nowak","pro_kun-dongchan-kim","pro_kun-esteban-perez","pro_kun-guilherme-vilhena-martins","pro_kun-jakob-francisco","pro_kun-juliane-tuebke","pro_kun-maija-fox","pro_kun-nina-nowak","pro_type-ausstellung"],"acf":{"pro_tag":false,"pro_tag_source":{"label":"Tag","type":"taxonomy","formatted_value":false},"pro_type":[62],"pro_type_source":{"label":"Filter","type":"taxonomy","formatted_value":[62]},"pro_date":"15.11.\u20138.12.2024","pro_date_source":{"label":"Zeitraum","type":"text","formatted_value":"15.11.\u20138.12.2024"},"pro_artist":[378,379,380,381,382,383,384],"pro_artist_source":{"label":"Namen","type":"taxonomy","formatted_value":[378,379,380,381,382,383,384]},"pro_with":[385,386,387,388,389,390],"pro_with_source":{"label":"Mit","type":"taxonomy","formatted_value":[385,386,387,388,389,390]},"pro_link_text":"","pro_link_text_source":{"label":"Verlinkungen","type":"wysiwyg","formatted_value":""},"pro_curated_by":"Guilherme Vilhena Martins","pro_curated_by_source":{"label":"Kuratiert von","type":"text","formatted_value":"Guilherme Vilhena Martins"},"pro_thanks":"Dokyoung Kwon, Galleri Susanne Ottesen, Hugo Miguel Saiote, Irene Fern\u00e1ndez Arcas, Luzia Cruz, Rodrigo Rosa","pro_thanks_source":{"label":"Mit Dank an","type":"text","formatted_value":"Dokyoung Kwon, Galleri Susanne Ottesen, Hugo Miguel Saiote, Irene Fern\u00e1ndez Arcas, Luzia Cruz, Rodrigo Rosa"},"pro_sponsor":"Arts Promotion Center Finland","pro_sponsor_source":{"label":"Gef\u00f6rdert von","type":"text","formatted_value":"Arts Promotion Center Finland"},"pro_photographer":"Jakob Otter","pro_photographer_source":{"label":"Fotos","type":"text","formatted_value":"Jakob Otter"},"pro_access_informationen":"","pro_access_informationen_source":{"label":"Accessibility","type":"text","formatted_value":""},"pro_press_text":"https:\/\/www.ofluxo.net\/on-animated-architecture-group-show-curated-by-guilherme-vilhena-martins-soft-power-berlin\/<\/a>\r\n\r\nhttps:\/\/saliva.live\/exhibitions\/12171134<\/a>","pro_press_text_source":{"label":"Presse","type":"wysiwyg","formatted_value":"

https:\/\/www.ofluxo.net\/on-animated-architecture-group-show-curated-by-guilherme-vilhena-martins-soft-power-berlin\/<\/a><\/p>\n

https:\/\/saliva.live\/exhibitions\/12171134<\/a><\/p>\n"},"pro_budget":"1.500\u20ac","pro_budget_source":{"label":"F\u00f6rdersumme","type":"text","formatted_value":"1.500\u20ac"},"pro_start_date":"20241115","pro_start_date_source":{"label":"Anfangsdatum","type":"date_picker","formatted_value":"15 November 2024"},"pro_end_date":"20241208","pro_end_date_source":{"label":"Enddatum","type":"date_picker","formatted_value":"8 December 2024"},"pro_date_working":"21.4.2022\u201315.12.2024","pro_date_working_source":{"label":"Arbeitszeitraum","type":"text","formatted_value":"21.4.2022\u201315.12.2024"},"pro_place":"","pro_place_source":{"label":"Ort","type":"text","formatted_value":""},"pro_gallery":[2284,2272,2287,2282,2279,2274,2285,2275,2286,2276,2283,2278,2277],"pro_gallery_source":{"label":"Gallery","type":"gallery","formatted_value":[{"ID":2284,"id":2284,"title":"_look what you_ve done_, Jakob Francisco. 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