{"id":650,"date":"2023-03-31T22:43:37","date_gmt":"2023-03-31T22:43:37","guid":{"rendered":"https:\/\/softpower.world\/?page_id=650"},"modified":"2025-04-24T09:18:48","modified_gmt":"2025-04-24T09:18:48","slug":"linnea-bake","status":"publish","type":"page","link":"https:\/\/softpower.world\/en\/info\/linnea-bake\/","title":{"rendered":"Linn\u00e9a Bake"},"content":{"rendered":"<div id=\"modal-ready\">\n<h2 class=\"wp-block-heading pb-3\">Linn\u00e9a Bake<\/h2>\n\n\n\n<p class=\"translation-block\">Linn\u00e9a Bake is a curator and writer. In her work, she engages with the political conditions under which cultural spaces function and in which they intervene. Following her studies at the University of the Arts (BA Communication in Social and Economic Contexts) and the Royal College of Art (MA Curating Contemporary Art), she was (co-)curator of, among others,\u00a0<em>TAURUS<\/em> (solo exhibition Aykan Safo\u011flu, PILOT, Vienna, 2023), <em>Re: Over everything which exists under the sky<\/em>\u00a0(Gasworks, London, 2019) and\u00a0<em>To Draw a Line<\/em>\u00a0(Nuda, Stockholm\/0fr Centquatre, Paris, 2019). Her writing has been published by institutions such as Akademie der K\u00fcnste Berlin, Manifesta 13, Kunsthalle D\u00fcsseldorf and Kunstverein G\u00f6ttingen, as well as magazines such as Texte zur Kunst, Spike Art Magazine, King Kong Magazine and Nuda. Alongside her independent practice, she has held positions at i.a. the 11th Berlin Biennale for Contemporary Art (assistant curator), KW Institute for Contemporary Art and the DAAD Artists-in-Berlin Program (project-based), and the Berlin Artistic Research Programme (programme coordinator). In 2024 she was awarded the Young Critics Prize by the International Association of Art Critics (AICA).<\/p>\n\n\n\n<p><a href=\"mailto:linnea@softpower.world\" target=\"_blank\" rel=\"noreferrer noopener\">linnea@softpower.world<\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Linn\u00e9a Bake Linn\u00e9a Bake setzt sich als freischaffende Kuratorin und Autorin mit den politischen Bedingungen auseinander, unter denen kulturelle R\u00e4ume funktionieren und in die sie intervenieren. Seit ihrem Studium an der Universit\u00e4t der K\u00fcnste (BA Gesellschafts- und Wirtschaftskommunikation) und am Royal College of Art (MA Curating Contemporary Art) arbeitete sie als freie Kuratorin u.a. an<\/p>","protected":false},"author":1,"featured_media":0,"parent":156,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-650","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/pages\/650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/comments?post=650"}],"version-history":[{"count":9,"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/pages\/650\/revisions"}],"predecessor-version":[{"id":2562,"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/pages\/650\/revisions\/2562"}],"up":[{"embeddable":true,"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/pages\/156"}],"wp:attachment":[{"href":"https:\/\/softpower.world\/en\/wp-json\/wp\/v2\/media?parent=650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}