{"id":2232,"date":"2024-10-31T22:22:46","date_gmt":"2024-10-31T22:22:46","guid":{"rendered":"https:\/\/softpower.world\/?post_type=projekt&p=2232"},"modified":"2025-03-04T10:38:52","modified_gmt":"2025-03-04T10:38:52","slug":"on-animated-architecture","status":"publish","type":"projekt","link":"https:\/\/softpower.world\/de\/projekt\/on-animated-architecture\/","title":{"rendered":"on animated architecture"},"content":{"rendered":"\n

Samstags, 14.00\u201319.00 und nach Vereinbarung

\u00d6ffentliche Tour durch den Stadtteil und die Ausstellung: Sonntag, 1.12.2024, 14.00
Finissage: Sonntag, 8.12.2024, 15.00<\/p>\n\n\n\n

<\/p>\n\n\n\n

Die Gruppenausstellung on animated architecture<\/em> basiert auf einer Reihe kollektiver Gespr\u00e4che \u00fcber den Industriebezirk Berlin-Tempelhof und umfasst Arbeiten der K\u00fcnstler*innen Dongchan Kim, Esteban P\u00e9rez, Jakob Francisco, Juliane T\u00fcbke, Maija Fox und Nina Nowak.<\/p>\n\n\n\n

W\u00e4hrend Tempelhof zu Beginn des 20. Jahrhunderts ein bl\u00fchender Industriestandort war, erscheinen diese vormaligen Industriegebiete heute gr\u00f6\u00dftenteils von leeren Geb\u00e4uden und Ruinen gepr\u00e4gt \u2013 d\u00fcnn besiedelt von einer eklektischen Mischung aus Autowerkst\u00e4tten, Schrottpl\u00e4tzen, Gro\u00dfhandel und Lieferdiensten wirkt die Gegend sonst wie aus einer anderen Zeit zur\u00fcckgelassen. Die Ausstellung on animated architecture<\/em>, und das im Vorfeld durchgef\u00fchrte Seminar, zielen darauf ab, den Akt des Zur\u00fccklassens durch eine kritische Perspektive zu betrachten und die Belastung hervorzuheben, die veraltete Infrastrukturen in urbanen \u00d6kosystemen darstellen. Zugleich wird dabei das Spannungsverh\u00e4ltnis zwischen \u00f6ffentlichem und privatem Raum sowie die Machtdynamik in der Stadtplanung betont. on animated architecture<\/em> setzt sich \u2013 gepr\u00e4gt von einer Reihe Diskussionen, die von Kurator Guilherme Vilhena Martins moderiert wurden \u2013 mit Begriffen wie \u201eAbfall\u201c, \u201eBereinigung\u201c, \u201eExtraktion\u201c und \u201eHegemonie\u201c auseinander. Die Ausstellung bei soft power<\/em>, als Kunstverein selbst in einem weitgehend leerstehenden ehemaligen Fabrikgeb\u00e4ude Tempelhofs verortet, pr\u00e4sentiert Werke, von Skulpturen bis hin zu Fotografien und Videoinstallationen, die wie eine Sezierung eines Stilllebens, die M\u00f6glichkeit einer Kritik auf der Grundlage verschiedener emotionaler Reaktionen skizzieren und so einen Sinn f\u00fcr Gestik und Animation andeuten; eine vorsichtige Ber\u00fchrung inmitten des Schrotts.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u201eAnscheinend war diese ganze Gegend irgendwann zu Beginn des 20. Jahrhunderts ein bl\u00fchendes Industriegebiet. Damals schien alles perfekt \u2013 es gab eine gro\u00dfe Stra\u00dfe, die parallel zu einem Kanal verlief, der an das Netzwerk angeschlossen war, das sich \u00fcber den ganzen Kontinent erstreckte; Schiffe kamen und gingen, Lastwagen luden auf und fuhren ab. Die Zukunft sah rosig aus. Es gab eine Eisenbahn, Pl\u00e4ne f\u00fcr eine Erweiterung, und einen Hafen in der N\u00e4he. Das Geb\u00e4ude, in dem ich mich befinde, war fr\u00fcher eine riesige Schokoladenfabrik. Als wir einzogen, mussten wir die Fliesen schrubben. Der Geruch ging nie wirklich weg.<\/em><\/p>\n\n\n\n

Das alles wirkt jetzt so zerbrechlich, fast absurd. Und doch ist es ziemlich einleuchtend: Macht ist etwas R\u00e4umliches, und das zeigt sich darin, wie Raum organisiert wird, was drinnen und drau\u00dfen bleibt, was n\u00fctzlich ist und was nicht. Schau dir nur diese langen Stra\u00dfen an, diese Betonwiesen voller heruntergefallener Fensterl\u00e4den und leerer R\u00e4ume, den riesigen Kran, der passiv in einer Stahlkette schwebt, fast wie eine von Zettels H\u00fctten, die in Wolken feststecken, die genauso gut eine Verl\u00e4ngerung des grauen Asphalts um sie herum darstellen k\u00f6nnten. Wer darf entscheiden, wer auf was wartet? Wer entscheidet, dass es Zeit ist zu gehen, dass es auf einmal keine Rolle mehr spielt?\u201c<\/em><\/p>\n\n\n\n

(Auszug aus dem Begleittext von Guilherme Vilhena Martins)<\/p>\n","protected":false},"excerpt":{"rendered":"

Aufbauend auf einer Reihe von kollektiven Gespr\u00e4chen rund um den Industriebezirk Berlin-Tempelhof betrachtet die Gruppenausstellung on animated architecture<\/i> den Akt des Zur\u00fccklassens durch kritische Perspektiven, um die Belastung hervorzuheben, die veraltete Infrastrukturen in urbanen \u00d6kosystemen darstellen. Zugleich wird dabei das Spannungsverh\u00e4ltnis zwischen \u00f6ffentlichem und privatem Raum sowie die Machtdynamik in der Stadtplanung betont. W\u00e4hrend Tempelhof zu Beginn des 20. Jahrhunderts ein bl\u00fchender Industriestandort war, erscheinen diese vormaligen Industriegebiete heute gr\u00f6\u00dftenteils von leeren Geb\u00e4uden und Ruinen gepr\u00e4gt \u2013 d\u00fcnn besiedelt von einer eklektischen Mischung aus Autowerkst\u00e4tten, Schrottpl\u00e4tzen, Gro\u00dfhandel und Lieferdiensten wirkt die Gegend sonst wie aus einer anderen Zeit zur\u00fcckgelassen. on animated architecture<\/i> setzt sich \u2013 gepr\u00e4gt von einer Reihe Diskussionen, die von Kurator Guilherme Vilhena Martins moderiert wurden \u2013 mit Begriffe wie \u201eAbfall\u201c, \u201eBereinigung\u201c, \u201eExtraktion\u201c und \u201eHegemonie\u201c auseinander. Wie eine Sezierung eines Stilllebens wird die M\u00f6glichkeit einer Kritik auf der Grundlage verschiedener emotionaler Reaktionen skizziert und ein Sinn f\u00fcr Gestik und Animation angedeutet; eine vorsichtige Ber\u00fchrung inmitten des Schrotts.<\/p>\n","protected":false},"featured_media":2401,"template":"","meta":{"_acf_changed":false,"footnotes":""},"pro_forder":[],"pro_mitwirkende":[385,386,387,388,389,390],"pro_kun":[378,379,384,380,381,382,383],"pro_tag":[],"pro_type":[62],"class_list":["post-2232","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","pro_mitwirkende-dongchan-kim","pro_mitwirkende-esteban-perez","pro_mitwirkende-jakob-francisco","pro_mitwirkende-juliane-tuebke","pro_mitwirkende-maija-fox","pro_mitwirkende-nina-nowak","pro_kun-dongchan-kim","pro_kun-esteban-perez","pro_kun-guilherme-vilhena-martins","pro_kun-jakob-francisco","pro_kun-juliane-tuebke","pro_kun-maija-fox","pro_kun-nina-nowak","pro_type-ausstellung"],"acf":{"pro_tag":false,"pro_tag_source":{"label":"Tag","type":"taxonomy","formatted_value":false},"pro_type":[62],"pro_type_source":{"label":"Filter","type":"taxonomy","formatted_value":[62]},"pro_date":"15.11.\u20138.12.2024","pro_date_source":{"label":"Zeitraum","type":"text","formatted_value":"15.11.\u20138.12.2024"},"pro_artist":[378,379,380,381,382,383,384],"pro_artist_source":{"label":"Namen","type":"taxonomy","formatted_value":[378,379,380,381,382,383,384]},"pro_with":[385,386,387,388,389,390],"pro_with_source":{"label":"Mit","type":"taxonomy","formatted_value":[385,386,387,388,389,390]},"pro_link_text":"","pro_link_text_source":{"label":"Verlinkungen","type":"wysiwyg","formatted_value":""},"pro_curated_by":"Guilherme Vilhena Martins","pro_curated_by_source":{"label":"Kuratiert von","type":"text","formatted_value":"Guilherme Vilhena Martins"},"pro_thanks":"Dokyoung Kwon, Galleri Susanne Ottesen, Hugo Miguel Saiote, Irene Fern\u00e1ndez Arcas, Luzia Cruz, Rodrigo Rosa","pro_thanks_source":{"label":"Mit Dank an","type":"text","formatted_value":"Dokyoung Kwon, Galleri Susanne Ottesen, Hugo Miguel Saiote, Irene Fern\u00e1ndez Arcas, Luzia Cruz, Rodrigo Rosa"},"pro_sponsor":"Arts Promotion Center Finland","pro_sponsor_source":{"label":"Gef\u00f6rdert von","type":"text","formatted_value":"Arts Promotion Center Finland"},"pro_photographer":"Jakob Otter","pro_photographer_source":{"label":"Fotos","type":"text","formatted_value":"Jakob Otter"},"pro_access_informationen":"","pro_access_informationen_source":{"label":"Accessibility","type":"text","formatted_value":""},"pro_press_text":"https:\/\/www.ofluxo.net\/on-animated-architecture-group-show-curated-by-guilherme-vilhena-martins-soft-power-berlin\/<\/a>\r\n\r\nhttps:\/\/saliva.live\/exhibitions\/12171134<\/a>","pro_press_text_source":{"label":"Presse","type":"wysiwyg","formatted_value":"

https:\/\/www.ofluxo.net\/on-animated-architecture-group-show-curated-by-guilherme-vilhena-martins-soft-power-berlin\/<\/a><\/p>\n

https:\/\/saliva.live\/exhibitions\/12171134<\/a><\/p>\n"},"pro_budget":"1.500\u20ac","pro_budget_source":{"label":"F\u00f6rdersumme","type":"text","formatted_value":"1.500\u20ac"},"pro_start_date":"20241115","pro_start_date_source":{"label":"Anfangsdatum","type":"date_picker","formatted_value":"15 November 2024"},"pro_end_date":"20241208","pro_end_date_source":{"label":"Enddatum","type":"date_picker","formatted_value":"8 Dezember 2024"},"pro_date_working":"21.4.2022\u201315.12.2024","pro_date_working_source":{"label":"Arbeitszeitraum","type":"text","formatted_value":"21.4.2022\u201315.12.2024"},"pro_place":"","pro_place_source":{"label":"Ort","type":"text","formatted_value":""},"pro_gallery":[2284,2272,2287,2282,2279,2274,2285,2275,2286,2276,2283,2278,2277],"pro_gallery_source":{"label":"Gallery","type":"gallery","formatted_value":[{"ID":2284,"id":2284,"title":"_look what you_ve done_, Jakob Francisco. 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