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Erwartet werden besorgniserregende Prognosen, Corporate Wellness und Fake-Tanning.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br>Mit einer Lesung von Philip Maughan aus seinem in Entwicklung befindlichen Roman, einer neue Performance von Alex Quicho, einer Soundperformance von Kloxii sowie k\u00fcnstlichen Lichtskulpturen von CMMC (C\u00e9line Mathieu und Myrthe Christianne van der Mark). <em>Omen Central<\/em> ist Teil von <em>The well tempered<\/em>, einem Programm \u00fcber Atmosph\u00e4re und Atmosph\u00e4risches.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Der Fantasie und \u00c4sthetik k\u00fcnstlicher Wetterbeeinflussung und anderen Formen atmosph\u00e4rischen Managements gewidmet, entfaltet sich <i>Omen Central<\/i> als Performance-Abend \u2013 aus der Perspektive eines katastrophensensiblen Avatars \u2013 in einer Farm der Zukunft kurz nach ihrem unerkl\u00e4rlichen Zusammenbruch und in einem Sonnenstudio. Erwartet werden besorgniserregende Prognosen, Corporate Wellness und Fake-Tanning.<\/p>\n<p>Mit einer Lesung von Philip Maughan aus seinem in Entwicklung befindlichen Roman, einer neue Performance von Alex Quicho, einer Soundperformance von Kloxii sowie k\u00fcnstlichen Lichtskulpturen von CMMC (C\u00e9line Mathieu und Myrthe Christianne van der Mark). <i>Omen Central<\/i> ist Teil von <i>The well tempered<\/i>, einem Programm \u00fcber Atmosph\u00e4re und 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Die von Creamcake kuratierte Ausstellung, die Skulpturen, Installationen, Videos und eine Er\u00f6ffnungsperformance umfasste, besch\u00e4ftigte sich mit Technologie, Vorstellungen von Realit\u00e4t, Spiritualit\u00e4t und Weltraumkolonisation sowie \u00f6kologischer Komplexit\u00e4t hier auf der Erde. &nbsp; <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JAZSALYN pr\u00e4sentierte KI-gesteuerte Computerstudien zur Re-Indigenisierung von Algorithmen und zur Neuinterpretation verlorener Geschichten und Technologien, w\u00e4hrend Lito Kattous Skulpturen hybrider, au\u00dferirdisch anmutender Figuren mit Kalenderdaten von pers\u00f6nlichen Jahrestagen sowie Naturkatastrophen im Zusammenhang mit dem Klimawandel im s\u00fcd\u00f6stlichen Mittelmeerraum beschriftet sind. Tianzhuo Chen erweiterte seine Experimente mit Elementen und Symbolen, die in Religion, Ritualen und Subkulturen zu finden sind, indem er seine fr\u00fcheren Performance-Arbeiten in einer gro\u00df angelegten tarot\u00e4hnlichen LED-Videoinstallation neu gestaltete. Katja Novitskova pr\u00e4sentierte neue Arbeiten aus ihrer Werkserie <em>Earthware<\/em>, die eine neue Art von Landschaftsmalerei suggeriert und Leben auf verschiedenen planetarischen Ebenen darstellt. George Henry Longly setzte seine Erkundung irdischer und k\u00f6rperlicher Extreme, vom Weltraum bis zur Tiefsee, mit seinem einer Konstellation oder einem Diagramm \u00e4hnelnden Werk fort. Sofia Moreno pr\u00e4sentierte eine Installation, in der sie aus ihren eigenen Erfahrungen und pers\u00f6nlichen Mythologien sch\u00f6pfte, um \u00fcber ihr mexikanisches kulturelles Erbe zu reflektieren \u2013 und die mesoamerikanische Mythologie neu zu interpretieren, um alte Ansichten \u00fcber den Kosmos zu beleuchten. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Creamcake (CC) ist eine interdisziplin\u00e4re Plattform mit Sitz in Berlin, die sich mit der Konvergenz von elektronischer Musik, zeitgen\u00f6ssischer Kunst und digitalen Technologien besch\u00e4ftigt. Losgel\u00f6st von normativen gesellschaftlichen Strukturen bewegt sich Creamcake in flie\u00dfenden Prozessen des Denkens und Handelns und setzt sich in verschiedenen Projekten mit aktuellen gesellschaftlichen Themen der Gegenwart auseinander. CC organisiert Performances, Konzerte, Ausstellungen, Symposien, DJ-Sets, digitale Projekte und Workshops, darunter das <em>3hd Festival<\/em> (seit 2015). Als queer-feministischer normadischer Raum hat CC mit einer Vielzahl von Clubs, Community Spaces und Institutionen wie dem Berghain, Klosterruine, Wasserspeicher, OHM, S\u00fcdblock, HAU Hebbel am Ufer und der Berlinischen Galerie kooperiert.<\/p>\n<!-- \/wp:paragraph -->","post_title":"3hd 2022: Don't panic","post_excerpt":"Im Rahmen des Creamcake Festivals <i>3hd 2022: Life, the Universe, and Everything<\/i> pr\u00e4sentierte die Gruppenausstellung <i>Don't Panic<\/i> Werke von George Henry Longly, JAZSALYN, Katja Novitskova, Lito Kattou, Sofia Moreno und Tianzhuo Chen, die sich jeweils auf zeitgen\u00f6ssische Kosmologien beziehen und einen erweiterten Blick auf Vorstellungen von \u201cworldbuilding\u201d durch von uns bewohnte R\u00e4ume, irdische Grenzen und extraterrestrische Dimensionen werfen. Die von Creamcake kuratierte Ausstellung, die Skulpturen, Installationen, Videos und eine Er\u00f6ffnungsperformance umfasste, besch\u00e4ftigte sich mit Technologie, Vorstellungen von Realit\u00e4t, Spiritualit\u00e4t und Weltraumkolonisation sowie \u00f6kologischer Komplexit\u00e4t hier auf der Erde.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"three-hd-2022-dont-panic","to_ping":"","pinged":"","post_modified":"2025-05-23 14:21:16","post_modified_gmt":"2025-05-23 14:21:16","post_content_filtered":"","post_parent":0,"guid":"https:\/\/softpower.world\/?post_type=projekt&#038;p=108","menu_order":0,"post_type":"projekt","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":41,"post_author":"4","post_date":"2021-10-03 21:13:01","post_date_gmt":"2021-10-03 21:13:01","post_content":"<!-- wp:paragraph -->\n<p>\u03a3\u03c4\u03b9\u03c2 \u03b5\u03be\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2 \u03b6\u03c9\u03ae\u03c2 \u03c3\u03bf\u03c5 <br>\u03c3\u03c5\u03c7\u03bd\u03ac \u03b1\u03bd\u03c4\u03b1\u03c0\u03bf\u03ba\u03c1\u03af\u03bd\u03bf\u03bc\u03b1\u03b9 <br>\u03bc\u03b5 \u03c1\u03af\u03b3\u03b7 \u03c3\u03c4\u03b7 \u03c1\u03b1\u03c7\u03bf\u03ba\u03bf\u03ba\u03b1\u03bb\u03b9\u03ac, <br>\u03b6\u03b7\u03c4\u03ce\u03bd\u03c4\u03b1\u03c2 \u03ac\u03bb\u03bb\u03bf\u03c5 \u03b5\u03af\u03b4\u03bf\u03c5\u03c2 \u03cc\u03c1\u03b1\u03c3\u03b7 <br>\u03ba\u03b1\u03b8\u03ce\u03c2 \u03b5\u03af\u03bc\u03b1\u03c3\u03c4\u03b5 \u03c0\u03b9\u03b1 \u03bc\u03b5\u03b3\u03ac\u03bb\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac <br>\u03c0\u03bf\u03c5 \u03c7\u03c1\u03b5\u03b9\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03b9 \u03c0\u03bf\u03bb\u03bb\u03ac \u03b4\u03ac\u03c7\u03c4\u03c5\u03bb\u03b1 <br>\u03b3\u03b9\u03b1 \u03bd\u03b1 \u03bc\u03b5\u03c4\u03c1\u03ae\u03c3\u03bf\u03c5\u03bd \u03c4\u03bf\u03bd \u03c0\u03af\u03c3\u03c9 \u03c7\u03c1\u03cc\u03bd\u03bf, <br>\u03ba\u03b9 \u03ad\u03c4\u03c3\u03b9 \u03c3\u03b5 \u03b2\u03bb\u03ad\u03c0\u03c9, \u03c6\u03af\u03bb\u03b5, \u03b1\u03b9\u03bc\u03ac\u03c4\u03b9\u03bd\u03b7 \u03c3\u03ba\u03b9\u03ac \u03b5\u03bd\u03cc\u03c2 \u03c1\u03c5\u03b8\u03bc\u03bf\u03cd <br>\u0395\u03af\u03c4\u03b5 \u03c3\u03c5\u03bc\u03c6\u03c9\u03bd\u03b5\u03af\u03c2, \u03b5\u03af\u03c4\u03b5 \u03b4\u03b9\u03b1\u03c6\u03c9\u03bd\u03b5\u03af\u03c2 [\u2026] <br>\u03c0\u03bf\u03c5 \u03bc\u03b5\u03c1\u03b9\u03ba\u03bf\u03af \u03c4\u03bf \u03bf\u03bd\u03bf\u03bc\u03ac\u03b6\u03bf\u03c5\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 <br>\u03ba\u03b1\u03b9 \u03bc\u03b5\u03c1\u03b9\u03ba\u03bf\u03af \u03c4\u03bf \u03bf\u03bd\u03bf\u03bc\u03ac\u03b6\u03bf\u03c5\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1...\u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lena Platonos ist ein \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf \u03c0\u03b1\u03b9\u03b4\u03af, ein <em>old kid<\/em> der experimentellen elektronischen Musik \u2013 die griechische Komponistin gilt nicht nur als musikalische Pionierin, sondern zeichnet sich auch durch ihre poetischen und gesellschaftskritischen Texte aus, die von der Ver\u00adgeblichkeit der Liebe, den Abgr\u00fcnden menschlicher Beziehungen und der vom Konsum gepr\u00e4gten Ent\u00adfremdung erz\u00e4hlen. Mit ihrer einzigartigen Sicht auf das Eindringen der Computertechnologien in unsere Gesellschaft seit den 80er Jahren, auf Emanzipation und Abh\u00e4ngigkeit, scheint sie ihrer Zeit nicht nur musikalisch voraus. Das Projekt <em>\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight <\/em>wurde mit einer Live-Performance von Platonos und anderen bei <em>soft power <\/em>er\u00f6ffnet, die in Kollaboration mit Plus X live auf Cashmere Radio \u00fcbertragen wurde. Die Ausstellung wurde von einer Soundinstallation untermalt, die aus einer Kollaboration zwischen Lena Platonos und dem in Berlin lebenden griechischen Musiker Yiorgos Konstantoulakis entstanden ist. Umrahmt von Platonos\u2018 surrealen und vertr\u00e4umten Texten, ihrer Stimme, die sich im Raum ausdehnt und zu einem wiederkehrenden Fl\u00fcstern zusammenzieht, gab <em>\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight<\/em> so einen raren Einblick in das kaum bekannte visuelle Werk dieser feministischen Ikone, Techno-Avantgardistin und Tr\u00e4umerin. <\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Als Teil des Ausstellungsprogramms wurde am 3.10.2021 der Dokumentarfilm <em>\u039b\u03a0 LAMBDA PI<\/em>  bei <em>soft power<\/em> gezeigt. Der Dokumentarfilm von Cristo Petrou (2018, 75min., OmeU) blickt auf Lena Platonos' revolution\u00e4res Schaffen seit Mitte der 1980er Jahre zur\u00fcck. Im Anschluss an das Filmscreening fand eine Listeningsession (Platonos und andere weibliche Electronica-Hits und Fundst\u00fccke) im Ausstellungsraum statt.<\/p>\n<!-- \/wp:paragraph -->","post_title":"\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight","post_excerpt":"Die griechische Komponistin Lena Platonos (*1951) gilt nicht nur als musikalische Pionierin, sondern zeichnet sich auch durch ihre poetischen und gesellschaftskritischen Texte aus, die von der Vergeblichkeit der Liebe, den Abgr\u00fcnden menschlicher Beziehungen und der vom Konsum gepr\u00e4gten Entfremdung erz\u00e4hlen. Die Ausstellung <i>\u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b7\u03b4\u03bf\u03bd\u03ae\u03c2 History of delight<\/i> wurde mit einer Live-Performance von Platonos und anderen bei <i>soft power<\/i> er\u00f6ffnet. Die Pr\u00e4sentation des kaum bekannten visuellen Werks dieser feministischen Ikone und Techno-Avantgardistin wurde dar\u00fcber hinaus von einer Soundinstallation untermalt, die aus einer Kollaboration zwischen Lena Platonos und dem in Berlin lebenden griechischen Musiker Yiorgos Konstantoulakis entstanden ist. 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