{"id":108,"date":"2022-10-21T21:10:29","date_gmt":"2022-10-21T21:10:29","guid":{"rendered":"https:\/\/softpower.world\/?post_type=projekt&p=108"},"modified":"2025-05-23T14:21:16","modified_gmt":"2025-05-23T14:21:16","slug":"three-hd-2022-dont-panic","status":"publish","type":"projekt","link":"https:\/\/softpower.world\/de\/projekt\/three-hd-2022-dont-panic\/","title":{"rendered":"3hd 2022: Don’t panic"},"content":{"rendered":"\n

Im Rahmen des Creamcake Festivals 3hd 2022: Life, the Universe, and Everything<\/em> pr\u00e4sentierte die Gruppenausstellung Don’t Panic<\/em> Werke von George Henry Longly, JAZSALYN, Katja Novitskova, Lito Kattou, Sofia Moreno und Tianzhuo Chen, die sich jeweils auf zeitgen\u00f6ssische Kosmologien beziehen und einen erweiterten Blick auf Vorstellungen von \u201cworldbuilding\u201d durch von uns bewohnte R\u00e4ume, irdische Grenzen und extraterrestrische Dimensionen werfen. Die von Creamcake kuratierte Ausstellung, die Skulpturen, Installationen, Videos und eine Er\u00f6ffnungsperformance umfasste, besch\u00e4ftigte sich mit Technologie, Vorstellungen von Realit\u00e4t, Spiritualit\u00e4t und Weltraumkolonisation sowie \u00f6kologischer Komplexit\u00e4t hier auf der Erde.   <\/p>\n\n\n\n

JAZSALYN pr\u00e4sentierte KI-gesteuerte Computerstudien zur Re-Indigenisierung von Algorithmen und zur Neuinterpretation verlorener Geschichten und Technologien, w\u00e4hrend Lito Kattous Skulpturen hybrider, au\u00dferirdisch anmutender Figuren mit Kalenderdaten von pers\u00f6nlichen Jahrestagen sowie Naturkatastrophen im Zusammenhang mit dem Klimawandel im s\u00fcd\u00f6stlichen Mittelmeerraum beschriftet sind. Tianzhuo Chen erweiterte seine Experimente mit Elementen und Symbolen, die in Religion, Ritualen und Subkulturen zu finden sind, indem er seine fr\u00fcheren Performance-Arbeiten in einer gro\u00df angelegten tarot\u00e4hnlichen LED-Videoinstallation neu gestaltete. Katja Novitskova pr\u00e4sentierte neue Arbeiten aus ihrer Werkserie Earthware<\/em>, die eine neue Art von Landschaftsmalerei suggeriert und Leben auf verschiedenen planetarischen Ebenen darstellt. George Henry Longly setzte seine Erkundung irdischer und k\u00f6rperlicher Extreme, vom Weltraum bis zur Tiefsee, mit seinem einer Konstellation oder einem Diagramm \u00e4hnelnden Werk fort. Sofia Moreno pr\u00e4sentierte eine Installation, in der sie aus ihren eigenen Erfahrungen und pers\u00f6nlichen Mythologien sch\u00f6pfte, um \u00fcber ihr mexikanisches kulturelles Erbe zu reflektieren \u2013 und die mesoamerikanische Mythologie neu zu interpretieren, um alte Ansichten \u00fcber den Kosmos zu beleuchten. <\/p>\n\n\n\n

Creamcake (CC) ist eine interdisziplin\u00e4re Plattform mit Sitz in Berlin, die sich mit der Konvergenz von elektronischer Musik, zeitgen\u00f6ssischer Kunst und digitalen Technologien besch\u00e4ftigt. Losgel\u00f6st von normativen gesellschaftlichen Strukturen bewegt sich Creamcake in flie\u00dfenden Prozessen des Denkens und Handelns und setzt sich in verschiedenen Projekten mit aktuellen gesellschaftlichen Themen der Gegenwart auseinander. CC organisiert Performances, Konzerte, Ausstellungen, Symposien, DJ-Sets, digitale Projekte und Workshops, darunter das 3hd Festival<\/em> (seit 2015). Als queer-feministischer normadischer Raum hat CC mit einer Vielzahl von Clubs, Community Spaces und Institutionen wie dem Berghain, Klosterruine, Wasserspeicher, OHM, S\u00fcdblock, HAU Hebbel am Ufer und der Berlinischen Galerie kooperiert.<\/p>\n","protected":false},"excerpt":{"rendered":"

Im Rahmen des Creamcake Festivals 3hd 2022: Life, the Universe, and Everything<\/i> pr\u00e4sentierte die Gruppenausstellung Don’t Panic<\/i> Werke von George Henry Longly, JAZSALYN, Katja Novitskova, Lito Kattou, Sofia Moreno und Tianzhuo Chen, die sich jeweils auf zeitgen\u00f6ssische Kosmologien beziehen und einen erweiterten Blick auf Vorstellungen von \u201cworldbuilding\u201d durch von uns bewohnte R\u00e4ume, irdische Grenzen und extraterrestrische Dimensionen werfen. Die von Creamcake kuratierte Ausstellung, die Skulpturen, Installationen, Videos und eine Er\u00f6ffnungsperformance umfasste, besch\u00e4ftigte sich mit Technologie, Vorstellungen von Realit\u00e4t, Spiritualit\u00e4t und Weltraumkolonisation sowie \u00f6kologischer Komplexit\u00e4t hier auf der Erde.<\/p>\n","protected":false},"featured_media":2687,"template":"","meta":{"_acf_changed":false,"footnotes":""},"pro_forder":[],"pro_mitwirkende":[160,159,162,163,161,164],"pro_kun":[158,67,68,69,41,70,71],"pro_tag":[],"pro_type":[62,63],"class_list":["post-108","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","pro_mitwirkende-george-henry-longly","pro_mitwirkende-jazsalyn","pro_mitwirkende-katja-novitskova","pro_mitwirkende-lito-kattou","pro_mitwirkende-sofia-moreno","pro_mitwirkende-tianzhuo-chen","pro_kun-creamcake","pro_kun-george-henry-longly","pro_kun-jazsalyn","pro_kun-katja-novitskova","pro_kun-lito-kattou","pro_kun-sofia-moreno","pro_kun-tianzhuo-chen","pro_type-ausstellung","pro_type-kollaboration"],"acf":{"pro_tag":false,"pro_tag_source":{"label":"Tag","type":"taxonomy","formatted_value":false},"pro_type":[62,63],"pro_type_source":{"label":"Filter","type":"taxonomy","formatted_value":[62,63]},"pro_date":"21.10.\u20131.11.2022","pro_date_source":{"label":"Zeitraum","type":"text","formatted_value":"21.10.\u20131.11.2022"},"pro_artist":[67,68,69,41,70,71,158],"pro_artist_source":{"label":"Namen","type":"taxonomy","formatted_value":[67,68,69,41,70,71,158]},"pro_with":[159,160,161,162,163,164],"pro_with_source":{"label":"Mit","type":"taxonomy","formatted_value":[159,160,161,162,163,164]},"pro_link_text":"https:\/\/3hd-festival.com\/<\/a>","pro_link_text_source":{"label":"Verlinkungen","type":"wysiwyg","formatted_value":"

https:\/\/3hd-festival.com\/<\/a><\/p>\n"},"pro_curated_by":"Creamcake","pro_curated_by_source":{"label":"Kuratiert von","type":"text","formatted_value":"Creamcake"},"pro_thanks":"","pro_thanks_source":{"label":"Mit Dank an","type":"text","formatted_value":""},"pro_sponsor":"","pro_sponsor_source":{"label":"Gef\u00f6rdert von","type":"text","formatted_value":""},"pro_photographer":"Ink Agop \u00a9 Creamcake","pro_photographer_source":{"label":"Fotos","type":"text","formatted_value":"Ink Agop \u00a9 Creamcake"},"pro_access_informationen":"","pro_access_informationen_source":{"label":"Accessibility","type":"text","formatted_value":""},"pro_press_text":"

https:\/\/www.berlinartlink.com\/2022\/11\/15\/dont-panic-3hd-festival-at-soft-power\/<\/a><\/p>\r\n

https:\/\/www.moussemagazine.it\/magazine\/3hd-2022-dont-panic-creamcake-soft-power-berlin-2022\/<\/a><\/p>\r\n

https:\/\/kubaparis.com\/submission\/263646<\/a><\/p>\r\n

https:\/\/artsoftheworkingclass.org\/exhibition\/3hd-2022-festival<\/a><\/p>","pro_press_text_source":{"label":"Presse","type":"wysiwyg","formatted_value":"

https:\/\/www.berlinartlink.com\/2022\/11\/15\/dont-panic-3hd-festival-at-soft-power\/<\/a><\/p>\n

https:\/\/www.moussemagazine.it\/magazine\/3hd-2022-dont-panic-creamcake-soft-power-berlin-2022\/<\/a><\/p>\n

https:\/\/kubaparis.com\/submission\/263646<\/a><\/p>\n

https:\/\/artsoftheworkingclass.org\/exhibition\/3hd-2022-festival<\/a><\/p>\n"},"pro_budget":"","pro_budget_source":{"label":"F\u00f6rdersumme","type":"text","formatted_value":""},"pro_start_date":"20221021","pro_start_date_source":{"label":"Anfangsdatum","type":"date_picker","formatted_value":"21 Oktober 2022"},"pro_end_date":"20221101","pro_end_date_source":{"label":"Enddatum","type":"date_picker","formatted_value":"1 November 2022"},"pro_date_working":"16.5.\u201317.12.2022","pro_date_working_source":{"label":"Arbeitszeitraum","type":"text","formatted_value":"16.5.\u201317.12.2022"},"pro_place":"","pro_place_source":{"label":"Ort","type":"text","formatted_value":""},"pro_gallery":[1449,1459,1457,1452,1455,1458,1460,1456,1450,1453,1454,1451],"pro_gallery_source":{"label":"Gallery","type":"gallery","formatted_value":[{"ID":1449,"id":1449,"title":"1_3hd 2022_ Don\u2019t Panic, image by Ink Agop, \u00a9 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Contemporary Artist Things (CAT) bietet Editionen und Kunstwerke von ausgew\u00e4hlten K\u00fcnstler*innen aus der ganzen Welt an. Die Onlineplattform strebt einen erleichterten Zugang zu zeitgen\u00f6ssischer Kunst an, um eine neue und weniger exklusive Art des Sammelns von Kunst zu f\u00f6rdern. Das Editionsprogramm wird von Nora Cristea und Vincent Schneider kuratiert. W\u00e4hrend der Berlin Art Week 2022 pr\u00e4sentierte CAT bei soft power<\/em> eine Gruppenausstellung, in der Werke aus dem aktuellen Programm CATs, sowie auch neue Arbeiten von Aniara Omann, Felix Schroeder, Petros Moris und Tim Plamper erstmals gezeigt wurden.<\/p>\n","post_title":"CAT","post_excerpt":"Contemporary Artist Things (CAT) bietet Editionen und Kunstwerke von ausgew\u00e4hlten K\u00fcnstler*innen aus der ganzen Welt an. Die Onlineplattform strebt einen erleichterten Zugang zu zeitgen\u00f6ssischer Kunst an, um eine neue und weniger exklusive Art des Sammelns von Kunst zu f\u00f6rdern. Das Editionsprogramm wird von Nora Cristea und Vincent Schneider kuratiert.\u00a0W\u00e4hrend der Berlin Art Week 2022 pr\u00e4sentierte CAT bei soft power<\/i> eine Gruppenausstellung, in der Werke aus dem aktuellen Programm CATs, sowie auch neue Arbeiten von Aniara Omann, Felix Schroeder, Petros Moris und Tim Plamper erstmals gezeigt wurden.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"cat-pop-up","to_ping":"","pinged":"","post_modified":"2025-05-23 14:55:47","post_modified_gmt":"2025-05-23 14:55:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/softpower.world\/?post_type=projekt&p=97","menu_order":0,"post_type":"projekt","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":36,"post_author":"4","post_date":"2021-09-09 20:58:03","post_date_gmt":"2021-09-09 20:58:03","post_content":"\n

Die Ausstellung A Guide to Softer Ware<\/em> ist eine kollektive Erforschung zeitgen\u00f6ssischer (und weniger zeitgen\u00f6ssischer) Sprachen der Instruktion im Kontext des \u201eFrausein\u201c. Ihr eigenes Verhalten als sozialisierte Frauen analysierend, untersuchten Charlotte Rohde und Vera van de Seyp Manuals von Frauen f\u00fcr Frauen, um Regelwerke f\u00fcr das Frausein zu hinterfragen und deren bin\u00e4re Vorstellung von Gender kritisch zu beleuchten. Die Idee des Handbuchs wird hier als eine (selbst)auferlegte Richtlinie entlarvt, gefangen zwischen dem Imperativ der bedingungslosen Best\u00e4tigung durch andere und dem Bed\u00fcrfnis, f\u00fcr das eigene Narrativ verantwortlich zu sein.<\/p>\n\n\n\n

Das Format des Manuals wurde hier als rhetorisches Kon\u00adstrukt verwendet, das erforscht, wie sich die sozialen Rollen von Frauen durch das Aufkommen neuer Technologien seit der zweiten H\u00e4lfte des 20. Jahrhunderts bis heute ver\u00e4ndert haben. Mit ihrem gemeinsamen Hintergrund, der von (Schrift-) Design bis hin zu kreativem Coding reicht, dekonstruieren und reprogrammieren Charlotte Rohde und Vera van de Seyp (im wahrsten Sinne des Wortes) diese rhetorischen Mittel der Anweisung\/Unterweisung: Von den Formulierungen in technischen Gebrauchsanweisungen der 1960er Jahre f\u00fcr N\u00e4h-, Strick- und andere Haushaltsger\u00e4te, die Hausfrauen als neue Zielgruppe ansprechen, bis hin zu Memes und YouTube-Tutorials als Ph\u00e4nomen der heutigen Internet-Kultur der Selbstoptimierung.<\/p>\n\n\n\n

Mit ihrem Guide to Softer Ware<\/em> reflektierten die K\u00fcnstler\u00adinnen das vermeintliche Bed\u00fcrfnis nach fest- und vor\u00adgeschriebener Anleitung und die Formen, die diese in der Vergangenheit angenommen hat und noch immer annimmt. Die Ausstellung bei soft power<\/em> pr\u00e4\u00adsentiert neue Arbeiten der beiden K\u00fcnstlerinnen, die als Handbuch f\u00fcr die Betrachter*innen und gleichzeitig als Schriftproben fun\u00adgieren k\u00f6nnen. Der Einsatz von Werkzeugen und Typografie, Seife und Metall, Software und Code (und letztlich der Einsatz des K\u00f6rpers selbst) lud dazu ein, die \u201esoftness\u201d zu hinterfragen, die historisch\/konventionell\/unbewusst bestimmten Materialien und R\u00e4u\u00admen, Gender und dessen Konstruktion zugewiesen wird.<\/p>\n","post_title":"A Guide to Softer Ware","post_excerpt":"Die Ausstellung A Guide to Softer Ware<\/i> pr\u00e4sentierte neuen Arbeiten von Charlotte Rohde und Vera van de Seyp, die sich mit zeitgen\u00f6ssischen (und weniger zeitgen\u00f6ssischen) Sprachen der Instruktion im Kontext des \u201eFrausein\u201c besch\u00e4ftigen. Mit ihrem gemeinsamen Hintergrund, der von (Schrift-)Design bis hin zu kreativem Coding reicht, dekonstruieren und reprogrammieren Charlotte Rohde und Vera van de Seyp diese rhetorische Mittel der Anweisung\/Unterweisung: Von den Formulierungen in technischen Gebrauchsanweisungen der 1960er Jahre f\u00fcr N\u00e4h-, Strick- und andere Haushaltsger\u00e4te bis hin zu Memes und YouTube-Tutorials als Ph\u00e4nomen der heutigen Internet-Kultur der Selbstoptimierung.","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-guide-to-softer-ware","to_ping":"","pinged":"","post_modified":"2023-08-08 17:26:53","post_modified_gmt":"2023-08-08 17:26:53","post_content_filtered":"","post_parent":0,"guid":"https:\/\/softpower.world\/?post_type=projekt&p=36","menu_order":0,"post_type":"projekt","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":103,"post_author":"4","post_date":"2022-09-21 21:07:18","post_date_gmt":"2022-09-21 21:07:18","post_content":"\n

Unter dem Titel Will The World Ever<\/em> pr\u00e4sentierte der Salon on Sustainability #2<\/em> (organisiert von Marjolein van der Meer, Air Berlin Alexanderplatz) phantastische Szenarien, Kommentare und kritischen Vorstellungen von gegenw\u00e4rtigen und zuk\u00fcnftigen Welten. Der Salon besch\u00e4ftigte sich mit Fragen von Mutation und Transformation an den Schnittstellen von Nachhaltigkeit, Science Fiction und Technologie, schlug posthumane Perspektiven vor und erkundete die Potenziale spekulativer (Auto-)Fiktion. Die Veranstaltung pr\u00e4sentierte Arbeiten der bildenden K\u00fcnstler*innen Anan Fries und Anne Duk Hee Jordan, gefolgt von einem gemeinsamen Gespr\u00e4ch, das von Zippora Elders, Leiterin der kuratorischen Abteilung des Gropius Bau, moderiert wurde. <\/p>\n\n\n\n

Anan Fries arbeitet an der Schnittstelle von digitaler und darstellender Kunst. Anan hat das Kollektiv machina eX mitbegr\u00fcndet und -geleitet, das immersive Gamification-Erlebnisse entwickelt, sowie Henrike Iglesias, ein experimentelles feministisches Performance-Kollektiv mit einer starken Vorliebe f\u00fcr Pop und Politik. Derzeit erforscht Anna hybride \u00c4sthetiken des virtuellen und physischen Worldbuilding. In Zusammenarbeit mit der Klangk\u00fcnstlerin und Komponistin Malu Peeters entstanden VIRTUAL WOMBS<\/em>, ein spekulativer Essay, der VR und Live-Performance kombiniert, und [POSTHUMAN WOMBS]<\/em>, ein Hybrid aus VR-Erfahrung und r\u00e4umlicher Klanginstallation. <\/p>\n\n\n\n

Verg\u00e4nglichkeit und Transformation sind die zentralen Themen in der Praxis von Anne Duk Hee Jordan. Durch Bewegung und Performance verleiht sie Materialit\u00e4t eine weitere Dimension \u2013 sie baut motorisierte Skulpturen und schafft essbare Landschaften. Ihre Skulpturen sollen die Betrachter*innen in die Gegenwart ziehen und einen Dialog zwischen Naturph\u00e4nomenen, Philosophie und Kunst er\u00f6ffnen. Anne Duk Hee Jordan \u00f6ffnet T\u00fcren zu einem Universum, in dem sie auf humorvolle und romantische Weise Maschinen erschafft, die roboterhaftes Bewusstsein und organischen zyklischen Verfall und Leben gegen\u00fcberstellen. Ihre Arbeiten regen zu einem Perspektivenwechsel an, indem sie den Fokus weg vom Menschen hin zu einer gesamten \u00d6kologie verlagern. <\/p>\n\n\n\n

Die Reihe Salons on Sustainability <\/em>(Salons \u00fcber Nachhaltigkeit) wurde von Air Berlin Alexanderplatz in Zusammenarbeit mit der Schweizer Botschaft in Berlin konzipiert. Die Reihe besteht aus vier Salons: #1 World Building, #2 Science Fiction (bei soft power<\/em>), #3 Mending Practices, #4 Sustainable Photography.<\/p>\n","post_title":"Will The World Ever","post_excerpt":"Unter dem Titel Will The World Ever<\/i> pr\u00e4sentierte der Salon on Sustainability #2<\/i> (organisiert von Marjolein van der Meer, Air Berlin Alexanderplatz) phantastische Szenarien, Kommentare und kritischen Vorstellungen von gegenw\u00e4rtigen und zuk\u00fcnftigen Welten. Der Salon besch\u00e4ftigte sich mit Fragen von Mutation und Transformation an den Schnittstellen von Nachhaltigkeit, Science Fiction und Technologie, schlug posthumane Perspektiven vor und erkundete die Potenziale spekulativer (Auto-)Fiktion. 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